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Beyond the Leaf

  • Comparative Cupping: Sheng Puers

    Here’s a quick comparison of the three most recent sheng puer arrivals. Each was steeped in 150ml gaiwan with 8 grams of tea, 15 second rinse, and then 20 second steeps (with close-to-boiling water each time).

    This is the softest of the three. It was made by Mr. Yang Xiu Hai, the same gentleman who made our 2018 Yiwu Sheng Puer, though this one comes from the Menghai region. It’s light and fruity – reminds me of those mornings where breakfast was a quick bowl of instant peaches and cream oatmeal (with hoppy beer added to your oatmeal – not that I’ve ever done that…). There are small mineral and bitter elements that service the cup like pinches of salt to the cookie dough recipe. The mouthfeel is soft and smooth and memories of grapefruit in the exhale. This tea has an important quality that our typical assessments have no words for - it just feels good to drink. Some teas feel good because they taste good. Some teas feel good because they are ritualistic or nostalgic. All these are good reasons to drink those teas. But I swear there is an objective measure for teas that just plain feel good. This tea is gentle and present. The most important things rise to the top without saying much at all. Like a sad song without lyrics, you just know.

    This is the most complex of the teas mentioned here. It was made by Mr. Zhao Tian, who lives on the famous tea producing mountain of Nan Nuo Shan (see blog post for more about him). The steeped aroma of this one is a bit damp and fishy, maybe gamey. If you haven’t had much puer tea before, you may not find it pleasant. But as it cools, the aroma sweetens up like apricots. Puer teas can have a “wildness” to their character that’s just difficult to describe other than…wild. When I attempt to describe it, I often say off-putting things like those above, but they are terms of endearment. Those untamed savory/charcoal-like flavors get balanced with familiars like hops and grains. The mouthfeel has a granite-like texture (without all the weight that implies) and there’s a certain electrical intensity to the cup (not quite bitter, not quite astringent) that seems to be uniquely present in some puer teas. It starts out light, but intensifies through the second and third steeps. Even the 4th and 5th steeps are still very present while becoming more subtle. It is not sweet, it is not soft, it is not simple, but still very easy to drink. Like a good riddle, it lacks many affirmatives, but you enjoy it none the less.

    This tea is the strongest of the bunch and the most affordable (those two attributes have no inherent connection). It was made by Mr. Liu Zhao Quan, a tea-school classmate of our mutual friend Mr. Tang. This tea has a notable sharpness, which is not bad, but it will make its presence known. It can easily be controlled by reducing the amount of leaf used or limiting steep times, but I wouldn’t shy away from the challenge if you’re willing. The floral/bitter/charcoal flavors flex their muscles early with a full and oily mouthfeel. It’s a good performance, but it can overpower if you’re not careful. The tea is warming and travels to the gut quickly, which lasts much longer than the aftertaste in the mouth. These are admirable qualities for an inexpensive puer and I highly recommend it as an everyday tea. The landscape on this one flattens out sooner than the others mentioned here, but you can still easily get 4-5 steeps. Those last rounds have a gentler, melon-like sweetness that makes for a pleasant finish, but it signals that the house lights are about to come on and the show is over.

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  • The Thing About Puer Tea

    Puer cakes being wrapped in bamboo "tongs" in Kunming, Yunnan

    To be fair, puer tea can be difficult. The flavors and aromas don’t lend themselves to the obvious charms of sugars and salts. It’s not mysterious in a mystical sense, but quality information is elusive and this tea doesn’t fit neatly into a commoditized category like black tea or green tea. Its simplicity adds to its complexity, hence the trouble with giving it a firm definition.

    Drinking puer with Mr. Zhao at his home in Nan Nuo Mountain in Yunnan

    But I’m going to attempt to give it a working definition anyways. I will not address what it tastes like - it’s enough just to respond to “what is puer tea”? The below explanation assumes you have some understanding of how tea is made. I lack the skill to summarize without these assumptions.

    Freshly picked "Yunnan Big Leaf" tea for making puer

    All puer is made using the Yunnan-grown assamica leaf. If it is made with the small leaf Camellia sinensis, it is generally not considered puer.

    A small village in the town of Jing Mai, Yunnan

    All puer tea comes from Yunnan, particularly the southwest areas of Lincang, Xishuangbanna, and Puer (hence the name). Even if the tea making process is the same, but if the tea material is not from Yunnan (particularly those three areas), it is not considered puer tea.

    Sheng puer mao cha (loose leaf tea) from Mr. Zhao's spring 2019 lot

    To be brief, puer tea comes in two very different styles: sheng puer (raw) and shu puer (ripe). Sheng puer is a simple non-oxidized tea whose finished product will change naturally over time. Shu puer starts out as sheng puer, but goes through one more deliberate and accelerated “post fermentation” process to speed up this change into a matter of weeks as opposed to years. However, these two styles of tea couldn't be more different.

    Shu puer in the first stage of the post fermentation process

    Sheng puer is a simple tea to make and goes through some similar processes as other tea, but there are two essential distinctions. The “kill-green” step is not as thorough as green tea, leaving the elements for oxidation somewhat intact. Also, puer tea is always finished by air drying, not machine drying, so the moisture loss is always imperfect. These two facts are critical. It preserves the elements of change within the leaf that become apparent with age.

    The liquor of a 1988 sheng puer from Ms. Zhao

    Both styles of puer tea can be drunk immediately after they’re made or can be aged indefinitely. There is no minimum age to define puer tea. However, the qualities of sheng puer will change considerably over the course of years. The change in shu puer is less dramatic.

    Puer cakes in a special room for long-term storage

    When aging puer tea, the environmental conditions during storage can vary widely and will have a signature impact on how it changes. It’s not uncommon for puer tea to be sent to Guangdong or Hong Kong to be stored in its warm and humid climate, which will cause the changes to be faster and more intense. Yunnan is cooler and dryer and so the pace of change is slower and more subtle. There is no universally agreed upon method of which storage is better. They are just different.

     Small, medium, and large tea trees from Mr. Zhao's fields in Nan Nuo Shan


    Because of puer tea’s simplicity, the small details – the mountain, the tea tree, the season, the weather conditions – all play a pivotal role. It’s not hard for the puer tea enthusiast to get lost in the minutia of these details – and like baseball statistics when I was a kid; they are fun to get lost in. But it’s best not to take them too seriously. Statistics don’t always guarantee performance.

    Traditional pressing stones for tea cakes

    If you’re still reading, I hope this brings puer tea a little more into focus. This is not an official definition of puer. I am not qualified to give one. Any of the above parameters can and are being disputed by someone. It doesn’t matter. Always let the tea speak for itself.


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  • Here’s a compare and contrast of three Chinese green teas we received in 2019:

    Wuling Mountains in Hunan Province, China

    Each steep was 8 grams tea, 5 ounces of 180 degree water, steeped 30 seconds in a gaiwan. Normally I would not make the tea this strong, but for the purpose of this multi-steep evaluation I wanted to pull out more elements quicker. There’s no strict rule about how many grams to put in the gaiwan or how long/hot to steep it (I’m sure some of you disagree), but I would dial it back a bit based on my own preferences.

    Gu Zhang Mao Jian - Buy this tea

    Attractive looking, tightly twisted, dark green leaf. The steeped aroma is that garden-like vegetal floral that I’m a big fan of (because I garden). The cup is a dark, deep, vegetal flavor, sharp, and a savory broth that’s not too soupy. It has an oily mouthfeel and a slight, pleasant bitterness. The body and mouthfeel are sustained through second and third steeps, but the bitterness starts to take a back seat to more floral flavors and an undefined sweetness. It warms up the body more than most Chinese greens. A very full experience. Touches all bases.

    Dragonwell Superior - Buy this tea

    Those iconic flat, little, yellow-green leaves are in high demand in the tea world. Its unique qualities are well on display here. The cup is grassy with a strong nutty flavor and lots of little nooks and crannies for nuances like a little floral here, a little bitter there, maybe a brussel sprout over here. It continues to distinguish itself as it refuses to diminish through the second and third steeps. The edges do soften a little with the nutty quality giving way to more floral flavors. Its presence lingers strong in the mouth for as long as you wish.

    Wuling Mountain Yunwu - Buy this tea

    This is classic Chinese green tea! Its dull green leaves are twisted and curled.  The cup is a combination of leafy greens, chicken broth, and flowers. The soft mouthfeel makes the liquor go down easy and is largely forgiving of any bitterness. The body and flavor of this tea fade quicker than the Gu Zhang Mao Jian and Dragonwell, but it’s an excellent value and the aroma is first class!

    -Michael Lannier

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  • Steeped Asanoka #80

    Here’s a quick compare and contrast of the three newest Japanese green tea arrivals:

    Asanoka #80

    Sencha #35

    88th Night Shincha 

    Asanoka #80

    Each tea was steeped three times in the following manner:

    10 grams of tea, 10 ounces of water

    1st Steep – 1 minute, 160°f

    2nd Steep – 1 minute, 175°f

    3rd Steep – 1 minute, boiling water

    (There’s many more ways to steep than what I did. Don’t judge me or take it as gospel. It was just my mood at the moment).

    Asanoka #80 - Buy it here

    This tea is my favorite of the bunch. Asanoka is the name of the cultivar. It has a long-leggy, deep emerald green appearance. The steeped leaf aroma has a slight roasted grain quality to it without being toasty. The cup is DARK and savory – a real mouthful! It has a mushroom-like quality that warms the mouth and travels to the gut well. If you don’t like it, that’s too bad, because that aftertaste is going to hang on a long time. A silky textured body fully hangs on for the second steep and only barely declines after the third. This tea will go the distance.

    Asanoka #80 liquor

    Sencha #35 - Buy it here

    This is an excellent tea for the price. It’s made of the popular Yabukita cultivar and contains mostly small particles (which is not uncommon in Japanese tea). The aroma and flavor are notably floral. It packs its punch quickly and fades to a more sweet, slippery body. Because of the small particles the second and third steep thin out quickly and the liquor turns a charming incredible-hulk opaque green. This tea is double or nothing.

    Incredible Hulk Sencha #35 

    88th Night Shincha - Buy it here

    Classy stuff! The dry aroma is seaweed and rye. It has those deep green long leaves that produce a heavy, brothy body that reminds a Midwesterner of buttered corn. A mushroomy undertow warms up the mouth and gut, but a floral quality holds on if you breathe out your nostrils. It thins out a little for the second and third steep and starts to bring forward a melon/floral sweetness that almost wants to get sharp, but doesn’t. When you start talking about the intentions of the tea you know it’s time to hang it up. Turn off the jukebox and cut this guy off.

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    88th Night Shincha

    -Michael Lannier, Operations Manager

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  • Strangers of Puer

    The Wild Tea Trees of Nan Nuo Shan

    The most notable thing that morning is that it wasn’t raining. It rains a lot in Yunnan in July. Cloudy and wet are not considered good conditions for tea picking. Neither is summer (usually), but I was told they chase the weather, not the calendar, and some farmers are finally getting the weather conditions they want. As we were sitting with Ms. Wang in her tea shop, we observed evidence of this. The spring was too cold and dry. The resulting tea was muted of its potential. Her summer sheng puer, just made, was already fuller and more vital with a warm, oily character.

    Hanging out in Ms. Wang’s tea shop drinking the 2019 lot of our 2018 Yiwu Sheng Puer tea

    Mr. Yang Xiuhai is the maker of these teas and an acquaintance of my travel companion, Daniel. He had to leave unexpectedly before we got there, so Ms. Wang Xiyan (whom none of us had ever met), his business partner, hosted us instead. It is common to hang out, drink tea, and march off into the woods with complete strangers in China. Mr. Yang makes the tea. Ms. Wang runs the business. The shop is gorgeous, but completely comfortable. Their giant tea table had an island surrounded by water with goldfish, live plants, a Plecostomus “suckerfish” (to keep it clean), and topped with dry ice.

    Buy 2018 Yiwu Sheng Puer HERE

    Ms. Wang and her tea table. Without a doubt I would have dropped the cup in the water.

    The next day we left Ms. Wang’s shop in Jinghong to visit the wild tea trees of Nan Nuo Shan (“shan” means “mountain”) in the Menghai area of Xishuangbanna. On the way up we made an unannounced stop (at least unannounced in English) to meet Mr. Zhao Tian, whose family owns tea fields on the mountain and used to help out Ms. Wang in her tea shop (I would piece together all this information later. At that moment and for many hours to come, I had no idea what was going on, which was typical).

    Left: The King of Puer Tea Trees. Not very photogenic, but you don’t have to be at 800 years old. Right: Me & Mr. Zhao

    The first stop was a visit to the “King of Puer tea trees”, an 800-year-old giant that has been “retired” and is now just here to remind us of the length of time that passes in a place like this. The fields are well taken care of with a few boardwalks and paved walkways, because in China there is such a thing as tea tourists (that would be me on this occasion).

    Mr. Zhao Tian

    We met a tea farmer dressed in camouflage with a small market stand in the middle of the tea fields. We drank tea, ate candy he made from the fruits of the tea plant, and tea eggs. He says that the farmers are no longer growing rice and vegetables on the mountain anymore and are going into town to buy such things. He considers this a good situation and a sign of prosperity. I bought some tea from him.

    The tea farmer in camo. It is somehow not considered rude to take over a complete stranger’s tea table and drink his tea.

    We then traveled to Mr. Zhao’s home in the village of Bama on the same mountain. Let’s just say the conditions are modest by American standards. A one room flat that includes the fire pit where he cooks his food, eats, sleeps, and stays out of the rain or sun. An outdoor patio-like area is attached for washing (clothes/utensils) and an Asian toilet that is not hooked up to running water. His vegetable garden is just off to the side and below this area. His tea drying and processing rooms is on the opposite side of the house. The accommodations may not be fancy, but the material from their tea field is in demand. He plans to build a new house in the village. Modern instead of traditional style, but the fire pit will stay. 

    Mr. Zhao cooking for us. The traditional fire pit is the most important part of the house and they will retain it even in a modern home.

    He cooked us a six-course lunch while we drank his tea out on the patio area. He made greens and onions from his garden, bamboo, pickled vegetables, two kinds of smoked pork, and soup. Upon learning how much I love spicy food, he insisted I take home a jar of his homemade hot pepper blend, along with some of his tea. I just met this guy this morning.

    Mr. Zhao's tea fields

    After lunch we hiked up (mostly vertical) into his family’s tea fields on the side of the mountain near his home. There were wild tea trees of a range of ages intermixed with pruned, terraced tea bushes for easier picking. It was all woven through a largely untouched ecosystem that will keep the plants healthy (and bite Mr. Zhao’s foot at one point).

    Mr. Zhao’s mother and Ms. Wang picking tea.

    His mother was out there picking tea for summer material that was still in demand. From here I could see down over the village in what for me was an exotic landscape, but for them could not be more mundane. This place is not a carefully messaged brand, it is just life – as important and regular as anywhere else. Their tea will arrive at TeaSource in late September if all goes well. A transaction that will hopefully warrant a return visit someday.

    The village of Bama as witnessed from the tea fields.


    -Michael Lannier, Operations Manager

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  • The Patience of Soup in Yunnan

    Check out Golden Buddha & Rock Oolong

    Both of these teas were made by Mr. Tang Shuang Jiang. 

    Mr. Tang cupping sheng puer in Xi Gui

    I love the food in China (a geographical distinction from Chinese food in America). I love the seemingly infinite variety of plates that march endlessly towards your table that you communally pick from, the generous use of chili peppers, and the comfort of three constant companions; tea, rice, and some kind of savory, brothy soup. Making that broth takes time and patience rarely found in American kitchens.

    Mr. Soup taking a picture of the soup from Mr. Zhao

    Driving in Southern Yunnan also requires time and patience. Since most of the land there is vertical it’s best to be on good terms with those in the car with you. We have been buying tea from Mr. Tang Shuang Jiang for the last two years, but on this trip he was “The Driver.” He is a long-time friend of my friend and travel companion on this trip, Daniel Hong, who said of him “even get lost will not panic” (I had no choice but to be convinced). It would be the first time I’d spent more than a couple hours with Mr. Tang and now we were going to be cooped up together for 10 days. Daniel refers to him by his nickname, “Mr. Soup.”

    Daniel and Mr. Soup drinking tea at Mr. Zhao’s home

    A good driver is always valuable, especially when driving in Xishuangbanna where sometimes the road is only there in spirit. And that spirit is alive with pigs, chickens, slow lumbering trucks of prior eras, cows and their owner on foot, scooters with too many people on them, and us. Driving there requires ever-present awareness since it is mostly scenic and uneventful until it becomes scenic and eventful. This was particularly true when I wasn’t always sure where we were going, and I wasn’t sure they knew where we were going either. True to Daniel’s word, Mr. Tang did not panic.

    A view from the side of the road in Jing Mai

    These long car rides gave me the chance to question Mr. Tang “Socratic-method” style on tea making. Instead of just accepting the direct answer, I had time to ask the naive question “why?” To understate it, the body of information on tea-making printed in English is limiting. He was able to walk me through the thought process on why he chose the specific tea fields, the particular cultivar, and processing decisions along the way to the finished product (and even when a product is ideally considered “finished”).

    Check out Golden Buddha & Rock Oolong

    Both of these teas were made by Mr. Tang Shuang Jiang.

    Mr. Tang examining the tea of Mr. Du. This is what you spend most of your time doing.

    Mr. Tang’s career in tea came by happenstance. His father sent him to the Fujian tea college after high school. It was free and they were poor. After graduating he got a job roasting oolong at a big tea company, but the politics of a large organization didn’t suit him and he soon quit and found work outside of tea.

    Mr. Tang and his friend Mr. Liu Zhao Qian, Chief Tea Officer of Logan Tea Company

    Fast-forward this story, and when asked why he stays with tea, he smiles and says “I don’t know other stuff better than tea.” On this trip we visited Mr. Liu Zhao Qian, Chief Tea Officer of “Logan Tea Company” in Puer city. Why? He was a classmate of Mr. Tang from tea school. We visited Ms. Chen and her husband in Kunming and drank puer collections in the back of ceramic flooring companies (yes, plural). Why? She was a classmate of Mr. Tang from tea school. Most importantly, how did Mr. Tang meet his wife, Ms. Lin Feng Ying? She was a classmate at tea school. Their two-year-old daughter will request a cup of Ti Kwan Yin by name, wait for the cup to cool, then pick it up and drink it.

    Mr. Tang and Mr. Chen. We were drinking tea at a tea table in the middle of a ceramic flooring showroom.

    In English we tend to talk about tea in myths and legends and not in terms of technique, economics, and daily life - which is actual and fascinating by itself. In the story behind his teas, Mr. Tang is the main character. No monks or monkeys were employed. Just Mr. Soup, time, and patience.

    Mr. Soup and his new friend

    -Michael Lannier, Operations Manager

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